Ah Are You Digging On My Gra

Ah, Are You Diging On My Gra Essay, Research Paper The insignificance of human life compared to the transition of clip and continuance of the life rhythm are explored in both Thomas Hardy # 8217 ; s # 8220 ; Ah, Are You Diging On My Grave # 8221 ; and John Keats # 8220 ; When I Have Fears # 8221 ; . Hardy uses the relationships between a dead adult female and her household, friends and pet to demo this insignificance, while Keats uses the magniloquence of nature. Although the verse forms use different riming techniques, similarities are found in their constructions. Hardy writes in a manner of his ain creative activity but uses four of the six poetries to foreground different illustrations of the adult female # 8217 ; s relationships with those left buttocks. The fifth is used as a edifice up of hope, and the concluding poetry is used to demo both the storyteller and the reader how shortly what we consider of import and meaningful in life, can be diminished or forgotten in the lives and day-to-day modus operandis of those left buttocks. Keats, meanwhile, uses a standard sonnet signifier, utilizing his three quatrains to each give a different illustration of what the adult male hopes to carry through in life. The concluding rhyming pair shows his credence of his life as little and undistinguished as compared to the breadth of nature and the universe as a whole ; # 8220 ; -then in the shore Of the broad universe I stand entirely, and believe Till Love and Fame to nothingness make sink. # 8221 ; These verse forms are written from different point of views ; Hardy writes as a adult female already in her grave, and Keats as a adult male still alive. Yet both storytellers come to the decision that what we consider to be of great importance in our lives, is frequently of small to no importance after we die. Time will go through, and life will travel on merely as will without us. However, both of the storytellers figure this fact out in really different ways. The adult male in Keats # 8217 ; verse forms, while alive, has given clip to halt and see how his concerns are proved fiddling, and hence forestall his badgering. Assumeably this will assist him to bask his life, and to be thankful for whatever clip he is left with. The adult female in Hardy # 8217 ; s verse form, nevertheless, is still preoccupied with her life, even after she is dead and buried in her grave. It takes the # 8220 ; day-to-day jog # 8221 ; of her Canis familiaris to do her recognize how small she genuinely has affected the lives of those around her. The insignificance of the adult female in Hardy # 8217 ; s verse form is shown in four separate illustrations. The first examines the relationship with her hubby. Alternatively of goi nanogram to her sedate site with flowers and unhappiness, he has merely wed another, richer adult female. While she lies in her grave, and still thinks of her hubby as her â€Å"loved one† , he is acquiring on with his life and giving the love that he one time had for her to another adult female. Her kids are besides seeking to travel on, recognizing that no flowers or attention for her grave will of all time convey her dorsum to life, and hence believing that there is no usage brooding on what was. Even the 1 who was her enemy in life no longer hates her, believing that to detest her is a waste of attempt. Finally, the woman’s pet Canis familiaris, the â€Å"one true heart† , who likely stuck by her loyally in life, and loved her above any other, has forgotten all about her, merely retrieving her and her grave as he by chance starts to delve a hole in her grave site to bury a bone to eat on a day-to-day walk. Meanwhile, the adult male in Keats # 8217 ; poem recognize his insignificance in a far gentler, and easier manner. When he starts to worry about deceasing before he has written down everything his head is full of, or about whether or non he # 8217 ; s traveling to see the adult female he loves once more, he takes himself to # 8220 ; the shore of the broad universe # 8221 ; , and shows himself how fiddling such concerns are. He realizes that when he is gone, the universe will maintain turning, life will go on to travel on, and it # 8217 ; s a instead demeaning experience for him. The two characters come to the realisation of there insignificance through wholly different ways. The adult female in Hardy # 8217 ; s verse form, seemed to be instead vain and likely considered her life to be unrealized. Unfortunately she was forced to recognize the truth through the fore-mentioned events. On the other manus, the adult male in the Keats # 8217 ; verse form is in awe of nature and the universe around him. He is happy that he found love, and is able to come to footings with the fact that life will travel on without him. Because of the sad and unfortunate subjects to both verse forms, I truly didn # 8217 ; t bask either of them all that much, but if I were to see one to be my front-runner over the other, it would hold to be John Keats # 8217 ; # 8220 ; When I Have Fears # 8221 ; . I found that the construction ( the fact that it was written in the sonnet manner ) , and the rhyming form, made it a drum sander and easier read. I found Thomas Hardy # 8217 ; s # 8220 ; Ah, Are You Diging On My Grave? # 8221 ; to be slightly humdrum. I had a job with maintaining my attending during the verse form and felt he could hold got his point across in a much shorter or possibly less insistent manner. 341